“How has graffiti become an integral form of self-expression and voice for the often-overlooked local population in Miami?” This research question is important because it examines a subject that very few scholars would like to debate. Researching this and giving it intellectual importance goes against the general consensus of the learned community that passes off graffiti as an insignificant gang activity in inner cities. Graffiti is universal in cities, but the graffiti of Miami is unique. Other studies have been done in this area in years past. It is more important now than ever, especially with the general political and social frustration of the majority of the American people, that we bring these problems to the forefront. This project will attempt to add a modern chapter to the previous studies of graffiti and social change. In addition to this main research question, I will also ask what art truly is, and what would drive someone to vandalize in order to express their sentiments on the concrete canvas.
The main audience is primarily the middle class, along with the wealthier mobiles and exiles. It is these groups of people that can actually help in the plight of these people. The middle class can join them in their struggle, and the wealthy can help to bring about even greater change with their high financial status. To properly answer this question, we will need a history of graffiti in the area, the effectiveness of graffiti in awareness of issues, and the general receptiveness of the public to graffiti. I’ll also examine the devastating effects of the construction of I-95 through Overtown, information that is integral for the understanding of the local experience. To add a personal note I’ll explain the similarities between the attitude toward graffiti and attitudes toward my own art.
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